[Discussion thread] Borderlands

BORDERLANDS - Review Thread

Rotten Tomatoes: 4% (25 Reviews)
Metacritic: 32 (20 Reviews)

Reviews:

It’s conceivable that longtime fans of the video game might get more out of Borderlands, but I wouldn’t count on it. At one point, Claptrap returns to operational mode after a heavy-weaponry assault and says, “I blacked out. Did something important happen?” Not in this movie.

Variety (40/100):

Marketed to look like a cross between “Suicide Squad” and a Zack Snyder movie, director Eli Roth’s tamer-than-expected take on “Borderlands” doesn’t have half the attitude or style its cyberpunk ad campaign might suggest. But here’s the real reason why fans of the game will be disappointed: It’s predictable, therefore nullifying the whole “What’ll it be?” appeal of loot.

SlashFilm (4/10):

Borderlands makes a point of not being different enough to upset the fanbase, but it's also not unique enough to win over new audiences, either. It's a movie for everyone and no one, a film so unwilling to make a splash that it barely makes a peep.

IndieWire (42/100):

If granted permission to bring his signature sadism to these infamously batshit characters, Roth could have delivered his “Mad Max: Fury Road.” Instead, restricted by standards that seem equally unlikely to please preteens, he was left holding a bomb.

Empire (2/5):

A botched Guardians wannabe that isn’t half as fun as you’d hope from the punky sci-fi promise of its video-game source material and the presence of Blanchett at the top of the cast list.

IGN (3/10):

Borderlands is a catastrophic disappointment that plays like hacked-to-pieces studio slop, betraying everything fans adore about Gearbox Software’s franchise in derivative, regrettable taste.

Rolling Stone:

Borderlands Is an Insult to Gamers, Movie Lovers and Carbon-Based Lifeforms. We'd say it's the worst video game movie ever — but that's way too limiting

Collider (5/10):

'Borderlands' is a fun ride, but a bloated cast and breakneck pacing don’t allow it to reach its full potential.

BleedingCool (5/10):

I don't think I have ever watched quite so gossamer-thin a movie and yet been so entertained throughout as with Borderlands. There really is nothing to this film. No emotional depths, stakes, or convoluted plot worth speaking of.

TotalFilm (40/100):

The Gearbox title gamers loved has spawned a frenetic and disorderly shambles they’re likelier to loathe. Claptrap? You said it.

The NY Times (40/100):

You can see the jokes, but most of them don’t land. Still, there is some neat design work if you squint.

GameSpot (2/10):

Borderlands comes in at a very brief 102 minutes in length, which you might be tempted to reflexively celebrate in our current landscape of hella long movies. But there's a reason longer movies are en vogue--more time allows for more depth, and depth is what Borderlands is missing the most. But that's what happens sometimes when a movie spends four years in post-production being repeatedly reworked--over time, everything gets sanded down into nothingness.

ScreenRant (70/100):

Blanchett knows exactly what movie she's in, and she seems to be having the time of her life fitting herself into the mold of a video game heroine.

Men's Journal:

If Borderlands doesn't stop studio executives from salivating at the sight of every single IP that comes across their desks, nothing will.

In Theaters August 8:

Lilith, an infamous outlaw with a mysterious past, reluctantly returns to her home planet of Pandora to find the missing daughter of the universe's most powerful S.O.B., Atlas. Lilith forms an alliance with an unexpected team — Roland, a former elite mercenary, now desperate for redemption; Tiny Tina, a feral teenage demolitionist; Krieg, Tina's musclebound, rhetorically challenged protector; Tannis, the scientist with a tenuous grip on sanity; and Claptrap, a persistently wiseass robot. These unlikely heroes must battle alien monsters and dangerous bandits to find and protect the missing girl, who may hold the key to unimaginable power. The fate of the universe could be in their hands but they'll be fighting for something more: each other.

Directed by Eli Roth (Reshoots by Tim Miller)