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This is an older movie, but it's relatively unknown.

I can recommend it if you like The Thing, The Last Winter, The Dyatlov Pass Incident.

Their budget was clearly rather modest (lower production values than the above mentioned films), but I thought they managed to make do with what they had.

Trailer

cross-posted from: https://feddit.uk/post/19862461

> > Marshall wrote on Instagram, “Since so many fans keep asking, I figured I couldn’t keep the disappointing news to myself any longer. Your unwavering loyalty deserves better. For the past 6 years myself and original UK producer of Dog Soldiers, Christopher Figg, have been working tirelessly to negotiate for the rights to make a sequel with the US Producer/rights holder David E. Allen and his company Dash. 6 years!! That’s as long as it took to write and make the first movie. Unfortunately these negotiations came to a sudden and unexpected halt when, earlier this year, we were due to finalize and sign the agreements and….they disappeared. Vanished. Cut off all communication. Refuse to answer emails or calls. Why, you ask. I don’t know why. That’s the point. We simply don’t know what happened or why, but the end result is that we don’t have the rights to make a sequel without this deal in place, thus rendering it effectively dead. I’m sorry. We tried. We really did. And in Chris Figg’s case spent a lot of money on legal fees doing so. We wanted this for you. For all the countless fans who’ve asked for it. But in the end, perhaps it’s just not meant to be. The original film was lightning in a bottle, and perhaps lightning doesn’t, and in some cases shouldn’t, strike twice. So there it is…“ > > > Nineteen hours later, he revealed that he hopes to make a separate project called The Werewolves of London. “Since I dropped such a clanger last night, I thought I’d give fans a little moonlight at the end of the tunnel today… While I do not have the rights to make a Dog Soldiers sequel, there’s nothing to stop me making another werewolf movie…. Which is exactly what I intend to do. It’s early days and I’m not giving away any plot details just yet, the plan is to bring as many of the original team back for this as possible, and then all we need is the money to make it!“

> Billy Burke, best known for his appearance in the “Twilight” series of movies, is set to play the lead in upcoming horror thriller “Outbreak.” > >The zombie genre film, directed by Jeff Wolfe who co-wrote the screenplay with Lance Ochsner, has now been acquired by Premiere Entertainment Group (PEG), a Los Angeles-based production, financing, and sales company, which picked up international rights. > >“Outbreak” follows a state park ranger (Burke) in search of his missing teenage son who is confronted with zombie-like people carrying an infectious disease following a virus outbreak. Alyshia Ochse, Taylor Handley, Raoul Max Trujillo, Jessica Frances Dukes, Dani Oliveros, and Kylr Coffman round out the key cast.

cross-posted from: https://feddit.uk/post/19488160

> > Fans of Peter Cushing are in for a Halloween treat, with the iconic Frankenstein star the latest to be resurrected by AI. > > > >In Hammer: Heroes, Legends and Monsters, a Sky doc airing in two days’ time, viewers will be treated to a “powerful and poignant reveal of Hammer royalty,” Sky said, with what is being described as a “special homage” to Cushing. > > > >Cushing, who died in 1994, played Doctor Van Helsing in five Dracula films and Baron Frankenstein in six movies from that franchise. He will be the latest celebrity given the AI resurrection treatment. > > > > ... > > > > Narrated by Charles Dance, the doc is celebrating Hammer Films‘ 90th birthday and will track its progression from a back office in London’s Regent Street to its iconic status within the horror film genre. We first revealed news of the doc in August. > > > > ... > > > > This isn’t the first time Cushing has been resurrected. His likeness was revived as Grand Moff Tarkin for 2016’s Rogue One: A Star Wars Story and a high court legal battle over the use of the image was recently ruled by a judge to go to trial. > > > >Ben Field, who runs Deep Fusion, said the Hammer doc resurrection has secured all necessary permissions. The decision to resurrect Cushing is “tied to his significance to the Hammer legacy,” he added. “As a figure central to Hammer’s success, Cushing’s presence is crucial to telling the story authentically,” he added. “His work, particularly alongside Christopher Lee, was instrumental in shaping the brand and legacy of Hammer Films. Including him allows the project to honor the spirit and impact he had on the studio and its fans, creating a connection between the past and this new exploration.” > > > >The use of deepfake technology has been approached with “great care,” Field added. “The team’s intent is not to manipulate or sensationalize but to use technology as a tool to bring audiences closer to the history of Hammer Films in an engaging and reverent manner.” > > > >Hammer: Heroes, Legends and Monsters will follow other influential figures from the horror genre such as Lee. Tim Burton, John Carpenter, Joe Dante and John Logan will also feature. Through a series of fateful turns, the film will reveal how Hammer’s distinct visual style and storytelling continue to shape modern horror and inspire filmmakers around the world.

> Milla Jovovich (Resident Evil) and Betty Gabriel (Get Out) have been set to star in Twilight of the Dead, the next feature from The Call and The Machinist director Brad Anderson. > >The George A. Romero estate is teaming up with L.A.-based financier-producer Roundtable on the “seventh and final installment” of the seminal Living Dead franchise. Horror icon Romero had written a treatment for the movie before he died in 2017 and he regarded Twilight of the Dead as the conclusion to his epic saga, which comprised six movies and various spinoffs and remakes. > > Fortitude International will present the project at next week’s American Film Market, with production being lined up for March. > > Set on a tropical island, we’re told Twilight of the Dead will “delve into the dark nature of humanity from the perspective of the last humans on Earth who are caught between factions of the undead.” > > ... > > Respected veteran makeup effects designer Greg Nicotero and his KNB EFX Group will create and lead the makeup effects. Nicotero began his career with Romero’s 1985 sequel Day of the Dead and was a frequent collaborator with the filmmaker. He also is known for working on the Walking Dead series. > > ... > > Director Anderson explained: “I see this film in the same way as successful post-apocalyptic thrillers such as I Am Legend, A Quiet Place, The Road and The Last of Us — genre stories that are as emotional as they are intense. When I first read Twilight of The Dead, I teared up at the end. Which is weird for a film of this type. But it has that kind of pull, that combo of horror and heartbreak that I love.” > > ... > > The team behind the project previously told us they haven’t closed the door on the possibility of additional movies in a new franchise, should this one go well.

cross-posted from: https://lemmy.world/post/21510655

> Finally, at long last, there’s a way to smell like Dracula. > >That’s thanks to a new perfume inspired by the upcoming Robert Eggers film “Nosferatu,” a remake of the gothic tale about a terrifying vampire who stalks a haunted young woman. Heretic Parfum founder Douglas Little concocted the custom scent, also called Nosferatu, through a scientific process that involved viewing the film, historical research and “time period understanding,” according to a press release. > >The result is one that answers the age-old question that’s long haunted historians: What does a vampire smell like? > > Described as “cold, pale and pellucid” and evoking “the uneasy chill of encountering an apparition,” the fragrance aims to conjure the aroma of the dark, possibly smelly, spaces inhabited by Count Orlok himself. Dubbed “Eau de macabre,” the perfume captures the odor of the eternal being with “top notes of lilac and ambrette seed that fall into a heart chord of violet, orris root and petrichor. The mysterious dry-down is woven around vegan ambergris and Oud absolute.” Obviously, garlic was a big no-no on the ingredients list. > > Nosferatu, the perfume, is engraved with Count Orlok’s sigil and cost $125 for a 30ml bottle.

>I had been a huge fan of the Hell House LLC series since I stumbled across the first instalment on Shudder during a lazy weekend a few years ago. I often question whether I should cancel my subscription to the streaming platform that’s dedicated to horror and save a few pounds each month, but then there’s always one film that draws me back in.

>The first Hell House LLC, released in 2015, was that rare gem and my only regret is that I didn’t discover it sooner.

>It had everything I love watching in horror: A group of friends who make silly yet entertaining decisions; a seriously creepy venue like a haunted house; or, in this case, an abandoned hotel and clowns.

>I actually have a genuine fear of clowns so the fact that I love films like Hell House and Terrifier will always be a mystery to me.

>When I realised Hell House LLC was also found footage, I could not grab my snacks and press play fast enough. And just like that, I was gripped...

> Kyle Edward Ball, the writer and director behind 2023’s micro-budget horror hit “Skinamarink,” has teamed up with A24 for his next film, “The Land of Nod.” > >Plot details are being kept under wraps, but Ball will write and direct the project, which will be released globally by A24. > > ... > > Speaking to Variety in 2022, Ball teased two ideas for future projects: One is a take on the Pied Piper legend, the other about three strangers who all see the same house in a dream. It’s unclear whether either of those ideas evolved into “The Land of Nod.” > > ... > > “The Land of Nod” joins A24’s slate of upcoming horror movies, including the Hugh Grant-starring “Heretic” and the comedy-horror “Y2K,” directed by Kyle Mooney. Variety also broke news of the studio’s upcoming horror film “Altar,” starring January Jones, Kyle MacLachlan, David Krumholtz, Lily Collias and Hudson Behling.

>Some of the best folk horror movies of all time base their scares on the slow-burn creepiness of the rural setting. Others are terrifying movies about cults. David Bruckner's 2017 horror film "The Ritual" dabbles in both, and adds in a haunted house aspect with a strange settlement in the middle of a Swedish forest. Then, it becomes something else altogether.

>As a group of hikers finds out to their detriment, all the folk horror elements in the movie come courtesy of a single entity: A supernatural beast known as Moder, which is both terrifying to behold and so utterly powerful that it might be able to go toe to toe with just about any other horror movie monster out there. Let's find out more about Moder, the animalistic horror movie god lurking at the center of "The Ritual"...

>How do you like your horror? Elevated arthouse or sleazy splatter? Comfortably cliched or disturbingly groundbreaking? Disgustingly gruesome or so subtle you can’t work out why you’re uneasy? Do you limit your consumption of horror films to Halloween but steer clear the rest of the year? Or are you a horror fiend who just can’t get enough of it, whatever the season?

>The good news is that the horror genre has been going strong for more than a century, so you’ll never run out of films to scare you. From early silents Le Manoir du diable (1896) and The Cabinet of Dr Caligari (1920) to this year’s genuinely gruesome slasher hit Terrifier 3 – which recently knocked Joker: Folie à Deux off the top of the US box office – there has never been any shortage of audiences lining up to be chilled, unsettled or downright freaked out. Just look at this year’s robust box office on Abigail, Immaculate and Longlegs, as well as artier offerings such as The Substance. The future of cinema, it seems, is horror. And not just in terms of profit, but in visual imagination, envelope-pushing and audience enjoyment.

>Every genre fan knows Dracula and Frankenstein, King Kong, The Exorcist, Carrie, An American Werewolf in London, The Silence of the Lambs and so on. But behind every gamechanger, there are antecedents and influences, both direct and indirect. And however beloved the canon, there are always less familiar treasures to be unearthed. So here I have traced the evolution of the horror genre in 10 films. For the most part I have avoided the big beasts and instead highlighted some less familiar, but no less significant efforts in the long history of the genre.

>If the most recent title in this selection is from 2001, it doesn’t mean 21st-century horror is in decline. On the contrary, the genre is thriving, with film-makers such as Jordan Peele exploring new avenues, more female directors adding their voices to the mix, and subgenres overlapping in surprising new ways. It takes time for trends to coalesce; it wasn’t until 30 years after its release that The Wicker Man (1973), and films with related themes, were given the label “folk horror”. But of one thing you can be sure: the genre is a constantly evolving beast, and horror films will continue to shock, delight and terrify us for many years to come...

• Monsters: Nosferatu: A Symphony of Horror (1922)
• Mad science: Dr Jekyll and Mr Hyde (1931)
• Satanism: The Seventh Victim (1943)
• Dreams and hallucinations: Dead of Night (1945)
• Aliens: Invasion of the Body Snatchers (1956)
• Slashers: Peeping Tom (1960)
• Sadeian cinema: Two Thousand Maniacs! (1964)
• Zombies and gore: Dawn of the Dead (1978)
• Body horror: Videodrome (1983)
• Techno horror and ghosts: Kairo, AKA Pulse (2001)

>Nick Frost both writes and stars in the folk horror comedy Get Away – a movie originally going by the name Svalta. The synopsis reads as follows:

>"Looking forward to a vacation on the small Swedish island of Svälta, the Smith family is unsettled by the unfriendly mainlanders who advise them to avoid the island at all costs, especially during the Karantan festival. But the 4-member family is in deep need of some time away & stubbornly decides to take the ferry anyway. On the island, the locals are rather rude & unwelcoming, and their behavior suggests that some big event is about to happen. Is it a cult? Is there a sacrifice in the works? Seemingly unbothered by so much discourtesy and drama, the family enjoys a swim in the sea, treks in the woods, and, oh, the silent isolation… which turns out to be a pretty perfect situation for the Smiths, who have special plans of their own."

>Get Away will be available to watch on Sky Cinema from the 10th January.

>Watch the trailer...

> The trailer for Mike Wiluan’s historical monster film, Orang Ikan, has been unveiled, ahead of its world premiere in the Tokyo International Film Festival’s Gala section. > >Set in 1942 in the Pacific, the film follows a Japanese soldier named Saito and a British prisoner-of-war named Bronson, who are stranded on a deserted island, hunted by a deadly creature known as the “Orang Ikan.” > > Orang Ikan is directed and written by Mike Wiluan, who also helmed Buffalo Boys, Losmen Melati and co-produced Crazy Rich Asians. > >The film stars actor-musician Dean Fujioka (Fullmetal Alchemist) and Callum Woodhouse (All Creatures Great and Small). > > ... > > The film will have its European premiere at the Trieste Science + Fiction Festival in the Asteroid Competition and its Southeast Asian premiere at the Singapore International Film Festival. > >“Orang Ikan is a creature horror that draws its inspiration from the early monster films such as Jack Arnold’s 1954 Creature from the Black Lagoon combined with a popular Malay Folklore and actual reports of sightings by Japanese occupying forces in East Indonesia during the war,” said writer-director Wiluan. > >“Orang Ikan is an Asian interpretation of the creature theme set during the tragic real life occurrences of WW2. Aside from the horror, the film accentuates the theme of brotherhood and humanity against devastating reality of survival. This particular theme was inspired by John Boorman’s 1968 classic Hell in the Pacific.”

Trailer

IMDb

I love horror movies, and I don't want to filter or block this community, but 80% of the articles here are pure clickbait "top 10 horror movies you need to see" crap that you can find anywhere on the Internet.

It makes it hard to want to engage with the community when this is all it is right now.

>... You may have already seen some of those movies. But if you’re looking for more cinematic scares, here are 10 killer films that may have sneaked past your radar but are worth a scream, ahem, stream, in time for Halloween.

• In a Violent Nature
• MadS
• It’s What’s Inside
• Red Rooms
• Out Come the Wolves
• Caddo Lake
• Daddy’s Head
• What You Wish For
• Infested
• Oddity